Remington went back to them over the years to update an artwork’s current standing, noting if sold, sometimes the buyers name and the price, if exhibited or in storage or even destroyed or repainted, and crossing out earlier information. Although Remington’s ledger books are not definitive they span most of his artistic career, dating from as early as 1887 to as late as 1909. In these ledger books, of which there are four plus a partial listing in the front of an address book, Remington also recorded painting commissions, proposed artworks and mapped out exhibitions, writing down artworks to be shown and where. For his Collier’s Weekly contract, which called for twelve illustrations a year beginning in 1903, Remington wrote the year and projected month of publication next to each title, although the actual date a particular image was reproduced was usually later. For example, he listed illustration commissions, logging in the titles of illustrations or brief descriptions of the subjects to be depicted, and usually listing the periodical or book the pictures were for, the title of the article and the author. Remington himself kept ledger books in which he recorded information pertaining to his artworks. Over the years there have been several attempts to organize Remington’s oeuvre. Early scholarship in organizing Remington’s work ![]() Starting with bibliographies listing Remington’s illustrations and volumes of scrapbooks depicting them, the Buffalo Bill Center of the West began the research for the Remington catalogue raisonné project in 1984. ![]() Remington was an illustrator for much of his life, so for this project, his illustrations seemed a logical place to begin. 3Įach catalogues raisonné has its own starting point, often a collection of the artist’s work or of archival material of the artist. 2 Museums, universities, foundations, art galleries, auction houses and independent scholars have undertaken catalogues raisonnés for numerous American artists, including Mary Cassatt, Maurice and Charles Prendergast, Thomas Moran, Alfred Jacob Miller, Winslow Homer, William Merritt Chase and Childe Hassam. More broadly, catalogues raisonnés of American artists help illuminate and define more clearly developments in American art history. Objects listed in the “Not Illustrated in the Artist’s Lifetime” category follow a strictly alphabetical sequence.īringing together all an artist’s wok and organizing it clarifies stylistic changes and development in an artist’s career, reveals much about his or her artistic process, helps authenticate new works that surface, substantiates old theories concerning the artist’s work and sparks new speculations. The artworks are then listed alphabetically under the appropriate bibliographic reference. If more than one article appears in the same publication, the articles follow an alphabetical arrangement. Because the majority were originally illustrations, within each year, we have organized the artworks into two major groupings: “Not Illustrated in the Artist’s Lifetime” and “Illustrated.” The latter category is further broken down into “Illustrated in Books” and “Illustrated in Periodicals.” Books are listed chronologically and then alphabetically by title other publications are listed chronologically and then alphabetically by title when dates are the same. In this catalogue, the artworks are organized chronologically by year. There are many ways to structure a catalogue raisonné. The type of information listed for the objects includes, when available, curatorial data, provenance, exhibition history, bibliography, location and comments or explanations. ![]() Selected unsigned studies, drawings and photographs that relate to a particular finished artwork are also depicted or referred to. It also includes any unsigned oils, watercolors and drawings that were published during his lifetime as well as certain unsigned, unfinished paintings and oil studies in the collections of the Frederic Remington Art Museum and the Buffalo Bill Center of the West. ![]() The Remington catalogue raisonné includes signed oils, watercolors and drawings by the artist. A catalogue raisonné lists and often illustrates either a particular category of an artist’s work or the entire oeuvre. WebsterĬatalogue raisonné, a French term, literally means “reasoned catalogue” 1 and is translated as descriptive catalogue. Collection of the Buffalo Bill Center of the West gift of Mrs.
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